All our stories belong to all Australians. All our stories should have equal value. That's why these three plays by South Asian diaspora playwrights Sonal Moore, Kevin Bathman and Roanna Gonsalves are so precious, and resonated with me.
GLOW is fabulous entertainment with crisp, witty dialogue and unexpectedly affecting poignant moments, like the emotionally intimate scenes between sleazy director Sam and the protagonist Ruth. Yet GLOW avoids being too earnestly up its own arse by being fun and just downright silly most of the time.
Because all good narratives, no matter how black in theme or tone, are essentially about illuminating the human condition. And the blacker the story, the more it illuminates. Which is why I'm drawn to binge-watch dismally dark stories about death and violence - narratives that plumb the depths of human depravity.