Review of SBS The Feed’s Sex in Japan: a new look at a disturbingly old problem

I think Sex in Japan: Dying for Company is a compassionate and insightful look at today's Japan. What I like most in this story is the reporting. Rather than talking to media savvy academics or commentators, The Feed team engage with 'ordinary' young Japanese.

Review of Drama-Sutra by Nautanki Theatre: Indian and Chindian stories

All our stories belong to all Australians. All our stories should have equal value. That's why these three plays by South Asian diaspora playwrights Sonal Moore, Kevin Bathman and Roanna Gonsalves are so precious, and resonated with me.

Review of GLOW Season 1 on Netflix: storytelling in the Trump era

Review of Glow Season 1 on Netflix

GLOW is fabulous entertainment with crisp, witty dialogue and unexpectedly affecting poignant moments, like the emotionally intimate scenes between sleazy director Sam and the protagonist Ruth. Yet GLOW avoids being too earnestly up its own arse by being fun and just downright silly most of the time.

Review of Transparent Season 3: transcendent transgressions

Review of Transparent Season 3: transcendent transgressions

After watching three seasons of Transparent, I find myself envying the Jews. The transgressions of the self absorbed, upper middle class Californian-Jewish Pfefferman clan makes my own dysfunctional family seem so excruciatingly banal that I'm wishing I could wallow in all that Jewish trauma. Which is perverse of course, and that to me is the attraction of Transparent.

Review of Yasukichi Murakami: Through A Distant Lens by Mayu Kanamori: links to our past re-remembered

I’ve read Japanese-Australian history, important works by historians Yuriko Nagata or Neville Meaney. But Mayu’s Yasukichi was my first encounter with a real person who was one of the early Japanese settlers, albeit dead now, but his ghost appears in the show. It made history personally relevant.