When this revival series got the Netflix makeover, which is to say its drama polished for international appeal, it lost some the humanity that made the original three seasons wistfully exciting, romantically brave, and what felt to me like an authentic portrayal of a woman in power.
I usually get the Amy/Tina wit, but was royally disappointed with this one, actually pissed off that women can portray women as such one dimensional, mean, unattractive nobodies who have nothing to share but a disdain for millennials.
About five years ago, I KonMaried my underwear drawer and now all my knickers maintain vertical integrity. And yes, I experience joy every time I open my drawer.
GLOW is fabulous entertainment with crisp, witty dialogue and unexpectedly affecting poignant moments, like the emotionally intimate scenes between sleazy director Sam and the protagonist Ruth. Yet GLOW avoids being too earnestly up its own arse by being fun and just downright silly most of the time.
MASAKO FUKUI 